Canvas to the Imagination

I’ve fallen a bit off track with my portrait series the last few weeks because I’ve been very focused on other things. It’s also been tricky scheduling people during the Olympic craziness. This portrait features Andrea and was taken towards the end of January.

I bought three large pieces of transparent fabrics from Dressew in different colours to use as props for this shoot (and beyond). It was fun to figure out different ways to use them in the portrait, and I especially loved getting Andrea to move the fabric to create swirling bits of colour around herself. It was a hilarious part of the shoot, but the results are beautiful.

For Valentine’s Day I invited some of my friends over to pose for a Valentine-themed photo shoot. The idea was inspired by the work of Katie Sokoler and her “kiss in your pocket” flip book.

I cut hearts from red and pink paper to create a background, and picked up sparkly hearts and red tulips for props.

I asked people to ham it up for the photos. Valentine’s Day is afterall one of the cheesiest holidays ever, and standing in front of a wall of hearts calls for anything but serious expressions.

The portraits all turned out awesome and everyone looks very cute and funny. I love it when an idea comes together so well. A full set of my Valentine’s portraits can be found on flickr.

I think I’ve mentioned before that with the portrait series I’m trying to explore ideas I originally shot as self portraits. I’ve always wanted to redo the Mad Hatter shot of myself from two years ago because it’s a great idea and I felt I could do it better – and incorporate even more hats. And now…voilà!

Shai of Pome Studio is the model in the updated Mad Hatter portrait. I chose her because she’s not comfortable having her photo taken (typical for most photographers) and my thought was I could hide her under the many hats. It turned out to be the perfect concept for Shai because she’s a hair stylist by profession, and she knits lovely hats for sale at Pome (five of which were used in the portrait at the top of this post). In the final concept shot I used sixteen or seventeen hats, most of which were borrowed from friends. The hat pile was far too precarious to balance on it’s own so I had to call in Boris as the hat wrangler to prop things up from the side with a broomstick and remove it from the shot in post processing.

As mentioned in my previous blog post, I started this altered book wanting to change the look of the folded pages by punching flower shapes into the paper. I was going to do this throughout the entire book but the more pages I did the less effective it seemed as a technique because the punched out shapes did not show up very well. So I changed my idea and decided to work with the flowers I had created with the punch and used these as the centre piece. I wanted the flowers to flow loosely and could not imagine gluing each one individually into the book, so I came up with the idea of stringing them together with thread. Only some of the flowers are directly attached to the pages with glue.

I was curious to see how well gluing a ceramic tea cup into the book would hold up and it seems to have a strong bond with the paper around it. I’m excited about this because I have another idea with tea cups that I have yet to explore. The little green bird was added as a finishing touch because I felt the composition needed a little more life and colour to it before I could call it finished.

I wasn’t sure what to title this but the flower shapes remind me of cherry blossoms and my thoughts these days are turned to spring, starting new things, and awakenings.

Materials used: book, paper punch, thread, Japanese paper, card stock, and a metal bird.

I love how this portrait of Julie came out in a wonderfully magical way that didn’t occur to me when I took the photo. As I was processing the shot I started imagining stars in the background and the blue backdrop became a midnight blue sky. Boris came up with the title after finding the lyrics from a song by Melissa Ferrick.

It’s been a month since I shot this portrait for the series. I decided I would only do one in December because it seemed like it would just be too crazy a time to try to scheduling people shortly before Christmas. But a whole month break from this project feels too long. In the meantime, even though I haven’t been shooting I’ve been working on ideas and figuring out who to photograph next. I can’t wait to get started again.