October 21st, 2010
World Toy Camera Day happens once a year and it’s always a good excuse to take out my holga. This year it fell on the Canadian Thanksgiving weekend which Boris and I celebrated with friends and family on Bowen Island.
I love this spot which is just off the Kilarney Lake trail heading towards the meadow. There is a short bridge that crosses the river and it’s a wonderful spot on a sunny day to see the surrounding trees and sky above reflected in the stillness of the water.
This was the first time in a year I’ve taken photos with my holga. It felt really good to be shooting film again.
Posted in B&W, Film, Holga
August 30th, 2010
Back in April I was approached by the editors of Light Leaks Magazine to do a showcase of my toy camera and polaroid photos. I was thrilled because it’s a toy camera magazine I’ve been reading for the past couple of years, and there’s always interesting work to be seen in it’s pages. The latest issue just went live and you can buy your own copy online.
I’m really happy with the selection of images that have been included in the showcase. Featured here are photos taken with a holga, Vivitar Ultra Wide & Slim, polaroid, and a P-Sharan pinhole camera.
September 5th, 2009
When Boris and I were in Victoria earlier this year I came across the motherload of medium format expired slide film in a small camera store in Bastion Square. At first I was hesitant to buy it all because most of the film was 220 and I wasn’t sure I could shoot this in my holga. For those not familiar with film formats, medium format film come in 120 rolls which allows for 12 exposures or 220 rolls which allow for 24 exposures (this varies with the type of camera). The larger roll also doesn’t work with every medium format camera, at least that’s what I’d been led to believe. I went ahead and bought the lot deciding to take my chances because of the cheap price of four year expired film.
The shots I’ve included in this blog post were the first taken on the roll of 220 with a holga. As you can see, I had a lightleak and it went through the entire roll. With 220 film the whole camera has to be taped up, including the window at the back of the holga, because the film doesn’t have a paper backing the way 120 does. I’ll add more tape for next time. The trickiest part of shooting 220 is keeping track of the number of exposures because you can no longer see the numbers at the back, as well as being careful to count the number of clicks between frames.
For more detailed instructions on shooting 220 film go read “How to Use 220 film in a Holga.”