Canvas to the Imagination

I was very excited when Opus Framing and Art recently announced their new digital canvas printing service. I’d been considering canvas printing for some of my recent photographic work so their timing couldn’t have been better. I selected two files from the portrait series and took them in to Opus to test out their print services. As you can see by the photos they did a fantastic job.

The colours and level of detail in the prints are really fantastic and the texture of the canvas plays nicely with the illustrative qualities of my work. Opus stretches the canvas in-house with a choice between 3/4″ or 1-1/2″ stretcher bars and four different styles of folding the corners. I went with the larger stretchers because it makes the finished print more substantial and I can hang it without a frame. I am really thrilled with these two prints and it’s only a matter of time before I have the rest of my portrait series printed on canvas as well.

I can’t say enough good things about the staff at the downtown location of Opus (which is the only location to offer this service) who are very knowledgeable and helpful. They were really great about answering my questions, and I was shown samples of digital files of varying quality printed on the canvas to give me an idea of how things would look. They also have their monitors calibrated to the printer for perfect colour accuracy. It took a week for my files to be printed and stretched, and they gave me a call when everything was ready. It’s a great service with even better results – especially when you start with high quality files.

As a side note, I had been planning to use Kickstarter to create a campaign to fund the cost of producing the canvas prints of my portrait series. I want to put together a show of this work but not beggar myself in the process. This morning as I started looking into it I discovered I need a US bank account and address because Kickstarter uses Amazon Payments Business accounts to receive funds and this is part of their policy. Now I’ll either have to figure out a way to make it work for me or come up with some other means to raise money to fund my art. Any suggestions?

Since I’m on a mission to try new things with my art, I thought I’d put out a public call for feedback on the artist statement I’ve been working on for my altered books. Normally when I do this sort of thing I send it to friends for review and editing, but since this is for a wider audience anyway I’m happy to have everyone/anyone read it.

Please read it over and leave me a comment (if you’re reading this on Facebook, please come to my blog). I’d love to hear from you. The full set of the altered books can be found on Flickr.

About the Artist:
I am a Vancouver-based artist working in photography, mixed media collage, and altered book arts. My work is motivated by a need to experiment with different techniques and styles, as well as to explore the spontaneous ideas that come from the visual inspiration of nature, found objects, and connecting with the work of other artists. I love to play with my artwork and I use a strong sense of colour and striking compositions to create imagery that is personal and expresses my love of nature and imagination. I am inspired by the natural world, bright colours, and by finding magic in every day life. My work has been shown in Toronto, Vancouver, Salt Lake City, Los Angeles, and San Francisco as well as published in numerous books and magazines.

About the Altered Books:
In 2007 I attended an art event in Portland called Mississippi May featuring the work of local emerging artists. My favorite works in the show were the magical illustrations of Timothy Karpinski, which he’d painted onto the pages of old books. I loved this idea because I’d never seen books used as a canvas before, and the illustrations created their own story against the backdrop of the page. I was inspired and decided to apply the idea using photos, as my work at the time was primarily photography. This led to experimentation using inkjet image transfer paper to print my photographs within the pages of books. I was never quite happy with the results because the image transfer process didn’t mix well with the aged and brittle paper of book pages. My book arts ideas went on the backburner because I felt I didn’t yet have the right tools to create work in the way I envisioned.

In late 2007 I began to work in mixed media collage and spent the next two years developing a feel for techniques. My primary medium has always been film photography but as I worked more with a digital format I craved the satisfaction of creating work “hands-on”. In September 2009 I came across a wonderful book called, “New Directions in Altered Books” and suddenly my long neglected desire to work with books was reignited. It opened up a whole new world of artistic possibilities for me, and creating collage in three dimensions.

Creating altered book art is as much about the process as it is about experimenting with the materials I’ve used to create each work. I often start with a rough idea of something I wish to explore which can be inspired by the objects or materials I have on hand, or by ways in which I want to alter the pages of the book itself through cutting, folding, etc. The composition and material choices for each book evolves as I work on them, often over several days. Every altered book I complete is a handmade original creation, and I’m addicted to making them.

(Thank you for reading and leaving a comment if you choose).

(Edit: As was bound to happen, I’ve already started editing since posting this earlier today…)

I don’t have a dedicated studio space at the moment so all of the work I’ve produced over the last few months has started to take over my rather small apartment. There are altered books (and supplies) piled in every corner and hung on most of the walls as well. This week I started working on framing the altered books in preparation of displaying them at Bootup Labs in a few weeks.

I’ve chosen to mount each book on the inside of a cradle frame, and was working at Boris’ parents place on Bowen for a few days to use their workshop for sanding and staining the wood frames. These are the first few altered books that I’ve finished framing. They look pretty wonderful, don’t you think?

One of the many bits of terrific information I learned in my “Artist Survival Skills” course with Chris Tyrell was about creating a vertical inventory of my work. This means creating a variety of work with different price points that allow me to cater to more than one audience. The idea behind this is to make the most of what I do by taking work that is time consuming to produce and therefore expense for people to buy and reproducing it in a way that is more affordable. A great example given of this was reproducing artwork as greeting cards.

I am a bit of a stationery junkie and write snail mail letters regularly so it was a no-brainer for me to turn my artwork into postcards. I selected five of the collages created in my moleskin sketchbooks, scanned them, tweaked and cleaned them up in photoshop, and created a postcard backside image to compliment the front. My friend Kirsti helped me put together the final print files and then off everything went to the printers. I used Minuteman Press in Vancouver, and I’m pretty happy with the quality reproduction of my work. (They also produced my new business cards and the labels I’m using to package up the postcards.)

The postcards are available for purchase through my Etsy shop as a set of five. Get ‘em while they’re hot.

Hey remember waaaay back at the beginning of July when I wrote about getting a career boost and my vow to work on the business of art? Well I’ve been keeping this vow and despite the summer distractions and unbearable heat of the last week I’ve actually managed to cross a few things off my art to do list. (The non-art to do list is another matter…)

One of these crossed off items was for me to create a series of postcards based on collages from my moleskin sketchbooks. I’ve been wanting to create postcards of some sort for YEARS, and now I have. I saw the final proof from the printer today and they should be done by the end of the week. Just in time for my art sale.

Coming this Sunday August 9th I’ll be selling my mixed media collages, metal prints, and postcard sets on the streets of Vancouver. Our friends Ross and Kay are hosting the Lawnstravaganza on the front lawn of their building and I decided to join in the fun and take advantage of a free venue conveniently located near my house. It’s my “think outside the venue” or perhaps “DIY venue” way of getting my stuff out there. Come on by the stoop if you just happen to be in the South Granville neighbourhood. I hear there will be monkeys for sale, and hotdogs too.

Lawstravaganza
1325 West 10th Avenue
noon to 5pm
(Facebook event info)