Canvas to the Imagination

For the past two weeks I’ve been working on a proposal to do a large scale project of altered books. I’ve never done something like this before so it’s been quite a challenge to figure out the best way to approach working with multiple books in a series. Normally I make my altered books as one-of-a-kind pieces and can spend as much as ten hours on each one. For this project I’ve had to simplify how I work with them, come up with a common theme, and develop a process I can apply to making each one.

My plan is to take twenty-five volumes of a set of Funk & Wagnalls encyclopedias and insert natural objects into a niche custom cut from the pages of each book. The book pictured here is the second one I’ve completed, and as you can see the shape I had to cut was fairly complicated. The objects I chose to work with in this piece are two seal vertebrae scavenged for me from Pebbly Beach, Bowen Island, by Anne. The bones are very beautiful and I like their odd shapes protruding from the pages like two gargoyle faces.

I was over on Bowen last weekend and spent most of a walk along the beach and forest collecting things to use for this project. I was a little worried I wouldn’t be able to come up with twenty-five different items but I came home with piles of stuff to work with.

Pictured here are crab bits, drift wood, oyster mushrooms, a pine cone, lichen, seaweed, and bones from a deer. (I had to scrounge through decaying remains to collect those, which is not for everyone).

I’ll reveal more about this project in coming weeks. For now I’m counting down as I work my way through the twenty-five volumes. As of today there are twenty-two more to go.

Kirsten Chursinoff has been working hard over the last few months to create new work for her upcoming show, Low Tide. As mentioned in a previous blog post, she’s a fibre artist who creates colourful scenes of nature using quilting and embroidering techniques. Her current work explores the theme of marine life found along the West Coast of BC.

From Kirsten’s press release:
With ‘Low Tide’ I’ve focused on the marine creatures found along the coast of British Columbia, especially at low tide, but also plunging a little deeper into our emerald sea – exploring the illustrative qualities of embroidery and art quilting.

The show opens Thursday June 17th from 6 to 8pm, at the Crafthouse Gallery on Granville Island. Kirsten will also be doing an artist talk on June 22nd at 7pm, with details below on how to RSVP to attend.

Kirsten Chursinoff: Low Tide
Craft Council Gallery, Crafthouse
1386 Cartwright St.
Granville Island, Vancouver.
June 17 to July 25, 2010 Open 10-6 daily
Artist Talk: Tues. June 22, 7pm, RSVP for artist talk to kirsten (at) chursinoff (dot) com

It probably says a lot about me that I’d never heard of Bob Rennie the “condo king” before visiting the new gallery showing his art collection. Along with his reputation as a top name in Vancouver real estate, he’s also a passionate collector of contemporary art and is the owner of the third largest private art collection in Canada. The newly renovated Wing Sang building, located on Pender Street in Chinatown, houses the aforementioned gallery owned by Rennie. I visited the other week to view it’s second ever show.

(An example of Richard Jackson’s work. Not from the show).

The current exhibition is a retrospective of the collected works of Richard Jackson. He’s a contemporary artist working with painting and sculpture, and is very much influenced by his background as an engineer. He’s all about the concept of what he creates rather than the content and uses multiple canvases and thick layers of paint to create wildly colourful abstract installations across the walls. Many of his pieces involve a huge amount of paint and were created on site in the gallery. I was really impressed with the show not just for the quality of the work but because of how well the show was put together. It’s rare to see an art show in Vancouver as tightly curated and as polished at this one was.

Even if contemporary art is not your thing, the architecture alone is worth a visit. The Wing Sang building is one of the oldest in Chinatown and they’ve done an extraordinary job of restoring it while maintaining some of the original details. My favorite spot was the rooftop garden with its excellent view of the city. The space is half covered in aged metal beams as a patio, and half in a lush lawn with two permanently installed sculptures from the collection. There were also red poppies blooming in planters placed around the edges of the roof and a blue sky overhead to complete the picture of a lovely oasis hidden from the city. I could’ve stayed up there for hours enjoying the sun.

To go on a guided tour of the Rennie Collection you need to reserve a space on their website. The tours are free and take place three times a day on Tuesday and Thursdays with a maximum of fifteen people at a time. I highly recommend you do it.