March 30th, 2007
I’ve been wanting to try out a few of the modifications that are possible with a holga. There are many out there, but the three I am most intrigued by are panoramas, macros, and shooting with 35mm. Last week through a contact of mine on flickr I discovered a simple variation on the “macro mod”, where I can use my close-up filters to get closer to my subject than the one meter minimum a holga normally allows. If you don’t have close-up filters, there is an article on Toycamera.com with three variations for macro modifications.
I’m really happy with the results from my first roll. Even though I chose flowers as my subject for the test I can see potential in using this technique for shooting portraits. It’s always frustrated me to keep my distance when photographing people with the holga, and now I can get much closer.
I have a gallery of the night shots taken this past winter up at Toycamera.com. Please check it out.
March 23rd, 2007
I have chosen the above sunflower photo as my avatar to summon up a bit of sunny weather. Here’s hoping it works.
Last Saturday I went for the loveliest walk in the rain. The air was fresh with the perfumed scent of spring, the temperature was warm, the plants and moss glowed a vibrant green, and everywhere the trees were blossoming. A week later it’s still raining, and my walks outside seem less lovely and more…soggy. We are at the point of springtime when every Vancouverites thoughts turn to ark-building.
March 19th, 2007
Thank you to everyone who came out to Exposure Gallery over the weekend to visit with me and see my photo in the show. I was able to get a bit of reading done during my gallery sitting shift, and discovered the work of two photographers new to me.
The current issue of Light Leaks magazine features an interview with pinhole photographer Martha Casanave, and a stunning selection of photos from her series Explorations along an Imaginary Coastline. A nice compliment to her work is that of Robin Bartholick and his digitally constructed black and white images. (See series 1 and series 2.) It’s interesting to me that their work is so similar, with gentlemen dressed in turn of the century garb and imaginary landscapes, but they achieve their results at opposite ends of the technological scale.